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Horrifying moment a man jumped into a bear's enclosure. Incredibly, BOTH survived
Saturday, November 28, 2009
A man hangs in the jaws of a bear, seemingly about to endure a most horrendous death by being ripped apart by massive jaws and razor-sharp claws.
But in the end it was the bear who ended up fighting for his life - shot with a police bullet in order to save the man's life.
These dramatic photographs were taken by a visitor to the Berne Bear Park, Switzerland, at the weekend when European brown bear Finn, aged four, suddenly realised he had an uninvited human guest - said yesterday to be mentally handicapped - in his enclosure.
The man perched for ten minutes on a 20ft wall above Finn's pit before he jumped in.
That allowed worried park officials time to call police.
They arrived, armed with 9mm 'fragmentation' ammunition which splinters on impact, just seconds before the man jumped down into the danger zone.
The bear quickly grabbed him.
Finn picked up the intruder as if he were a rag doll, carting him to the other side of his enclosure, which opened last month.
And as his massive jaws and teeth - capable of crushing steel - sank into his prey, police had to act fast. They were left with no option but to open fire, they said.
Finn was hit with a single bullet to the chest.
Police, ambulancemen and zoo-keepers rushed in.
The man, who has not been named, was quickly taken away on a stretcher to a waiting ambulance.
He was treated in hospital for severe head and leg injuries, and his condition yesterday was said to be comfortable.
Finn meanwhile was treated at the bear park by vets who decided not to operate to remove the bullet splinters, treating him with antibiotics, to which he was said to be responding well.
Bears are special for the people of Berne, being the city's symbol since the Middle Ages.
Briton Sam Brookes, who was visiting the park with his girlfriend when the attack happened, said: 'I looked in after I heard people screaming.
'The bear was standing over him and throwing him back and forth.
'Some yelled, "Get stones" to throw at the bear. I think most people had an awful shock. I can still see it when I close my eyes.'
Police and zoo officials say there has been an outpouring of public sympathy - for the bear.
Bouquets of flowers and pots of honey have been placed outside his enclosure.
read more "Horrifying moment a man jumped into a bear's enclosure. Incredibly, BOTH survived"
But in the end it was the bear who ended up fighting for his life - shot with a police bullet in order to save the man's life.
These dramatic photographs were taken by a visitor to the Berne Bear Park, Switzerland, at the weekend when European brown bear Finn, aged four, suddenly realised he had an uninvited human guest - said yesterday to be mentally handicapped - in his enclosure.
The man perched for ten minutes on a 20ft wall above Finn's pit before he jumped in.
That allowed worried park officials time to call police.
They arrived, armed with 9mm 'fragmentation' ammunition which splinters on impact, just seconds before the man jumped down into the danger zone.
The bear quickly grabbed him.
Finn picked up the intruder as if he were a rag doll, carting him to the other side of his enclosure, which opened last month.
And as his massive jaws and teeth - capable of crushing steel - sank into his prey, police had to act fast. They were left with no option but to open fire, they said.
Finn was hit with a single bullet to the chest.
Police, ambulancemen and zoo-keepers rushed in.
The man, who has not been named, was quickly taken away on a stretcher to a waiting ambulance.
He was treated in hospital for severe head and leg injuries, and his condition yesterday was said to be comfortable.
Finn meanwhile was treated at the bear park by vets who decided not to operate to remove the bullet splinters, treating him with antibiotics, to which he was said to be responding well.
Bears are special for the people of Berne, being the city's symbol since the Middle Ages.
Briton Sam Brookes, who was visiting the park with his girlfriend when the attack happened, said: 'I looked in after I heard people screaming.
'The bear was standing over him and throwing him back and forth.
'Some yelled, "Get stones" to throw at the bear. I think most people had an awful shock. I can still see it when I close my eyes.'
Police and zoo officials say there has been an outpouring of public sympathy - for the bear.
Bouquets of flowers and pots of honey have been placed outside his enclosure.
Labels:
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Cool Art of Science, the Science of Art
Mixing the staggering beauty of pure art with a precision and dedication of great science.
It reads contradictory and conflicted: the art of science/science of art – the mixture of the logical and methodical with the imaginative and emotional.
But science and art – or, if you’d prefer, art and science – have held hands, if not as close friends, for a very long time. Greek and Roman artists followed often strict guidelines considering the correct mathematical proportions of the figures in their frescoes and sculptures, Japanese woodblocks were as much about mechanical precision as they were about the subject being printed, the Renaissance was all about using science to bring a literal new dimension to painting, and then you have the work of Leopold and Rudolf Blaschka.
Everything you see below is made from glass...
No, you haven’t heard of Leopold or Rudolf Blaschka – but you certainly should have. Unlike the Greeks and the Romans, the Japanese Ukiyo-e artists, Michangelo and Leonardo, Leopold and Rudolf Blaschka aren’t well-known outside of either esoteric or scientific circles.
Which is what makes them so remarkable: they mixed the staggering beauty of pure art with a precision and dedication worthy of great scientists.
Recreating Nature in Glass - Looking Through a Glass, Darkly
Leopold and Rudolf were glass artisans – possibly some of the greatest, ever. They weren’t concerned with platters and goblets, lampshades and windows. Nope, Leopold and Rudolf created nature.
Simplified, here’s the story: Harvard Professor George Lincoln Goodale wanted examples to help teach botany, but the problem was plants have a tendency to … well, die. Sure, you could preserve some specimens but lots of species just don’t look the same after being dried – the plant version of stuffed and mounted. Yes, you could try using paintings or even photography but plants are – and here’s a surprise -- three dimensional. So what Professor Goodale did was ask the Blaschkas to create detailed glass plants to help him teach his students about real ones.
What the Blaschkas did, was more than just recreate plants: they created astounding works of not only scientific accuracy but pure, brilliant, art. Even the simplest of their efforts is deceptively unencumbered… a sign of their genius as their reproductions don't resemble the botanical model – they look EXACTLY like them, created by hand, in fickle and fragile glass, and all in the period 1887 to 1936.
What’s even more impressive is how many they created - more than 3,000 models of some 850 species – many of which can be seen on display at Harvard while many others are being painstakingly restored. But the Blaschkas didn’t stop at mere plants. Plants are relatively simple subjects and there are much deeper challenges out there - creatures so rare and fragile that very few men have ever seen them in their delicate flesh (even more frail than the glass the Blaschkas used to recreate them).
When the reproductions below were conjured in the late 19th century only a few marine explorers and a few lucky seaman had seen any of them. Octopi, urchins, sea cucumbers, anemones, jellyfish, cuttlefish – they were too rare, too fragile, to be seen outside of their briny homes. That is until the Blaschkas.
I wish there was some way to request a moment of silence. I wish there was some way to ask you to stop reading this and look at the pictures here and at other places of the web. I wish there was some way for you to have a nice glass of wine, put on some nice music – maybe Bach, who also mixed science and art – and just admire the care, the craft, and the pure art the Blaschkas created.
Other Astonishing Amalgams of Science and Art
The Blaschka brothers left an inspirational legacy. Josiah McElheny – a recipient of a MacArthur Genius Grant – is a kindred spirit to the Blaschkas, another mind-blowing artist who works in the whimsical and temperamental medium of glass … and the disciplined domain of science.
McElheny’s works -- like that of the Blaschka brothers -- take inspiration from the universe around us, and there is no better example than the key moment seen below. In many ways this is a perfect place to stop: the Blaschka brothers created perfect artistic reproductions of nature to teach science, and McElheny created a sculptural interpretation of the ultimate act of creation, as discovered by science: the Big Bang.
Dale Chihuly also makes incredible glass sculptures, but these are more surreal than scientifically correct:
Physics Fusion With Art?
When physics get too complicated (or obscure) the whole exercise may start to resemble abstract art patterns:
Fabric Brain Art: This is Your Brain on Wool
Neuroscience and art mix beautifully at "The Museum of Scientifically Accurate Fabric Brain Art" - click here. Some examples are somewhat unnerving, and others are plainly tongue-in-cheek:
Fabric MRI - slices, slices everywhere:
Street art can be educational too: here is a lesson in anatomy and graffiti skill, seen somewhere in Russia:
The Dark Side of the Moon is Buried in the Wall - and Mystery... for Another 70 Years
Perhaps one the most striking examples of astronomy science visualisation is this humongous model of the Moon from 1908, almost a surreal doorway to another world, a snapshot of bizarre art/science history:
read more "Cool Art of Science, the Science of Art"
It reads contradictory and conflicted: the art of science/science of art – the mixture of the logical and methodical with the imaginative and emotional.
But science and art – or, if you’d prefer, art and science – have held hands, if not as close friends, for a very long time. Greek and Roman artists followed often strict guidelines considering the correct mathematical proportions of the figures in their frescoes and sculptures, Japanese woodblocks were as much about mechanical precision as they were about the subject being printed, the Renaissance was all about using science to bring a literal new dimension to painting, and then you have the work of Leopold and Rudolf Blaschka.
Everything you see below is made from glass...
No, you haven’t heard of Leopold or Rudolf Blaschka – but you certainly should have. Unlike the Greeks and the Romans, the Japanese Ukiyo-e artists, Michangelo and Leonardo, Leopold and Rudolf Blaschka aren’t well-known outside of either esoteric or scientific circles.
Which is what makes them so remarkable: they mixed the staggering beauty of pure art with a precision and dedication worthy of great scientists.
Recreating Nature in Glass - Looking Through a Glass, Darkly
Leopold and Rudolf were glass artisans – possibly some of the greatest, ever. They weren’t concerned with platters and goblets, lampshades and windows. Nope, Leopold and Rudolf created nature.
Simplified, here’s the story: Harvard Professor George Lincoln Goodale wanted examples to help teach botany, but the problem was plants have a tendency to … well, die. Sure, you could preserve some specimens but lots of species just don’t look the same after being dried – the plant version of stuffed and mounted. Yes, you could try using paintings or even photography but plants are – and here’s a surprise -- three dimensional. So what Professor Goodale did was ask the Blaschkas to create detailed glass plants to help him teach his students about real ones.
What the Blaschkas did, was more than just recreate plants: they created astounding works of not only scientific accuracy but pure, brilliant, art. Even the simplest of their efforts is deceptively unencumbered… a sign of their genius as their reproductions don't resemble the botanical model – they look EXACTLY like them, created by hand, in fickle and fragile glass, and all in the period 1887 to 1936.
What’s even more impressive is how many they created - more than 3,000 models of some 850 species – many of which can be seen on display at Harvard while many others are being painstakingly restored. But the Blaschkas didn’t stop at mere plants. Plants are relatively simple subjects and there are much deeper challenges out there - creatures so rare and fragile that very few men have ever seen them in their delicate flesh (even more frail than the glass the Blaschkas used to recreate them).
When the reproductions below were conjured in the late 19th century only a few marine explorers and a few lucky seaman had seen any of them. Octopi, urchins, sea cucumbers, anemones, jellyfish, cuttlefish – they were too rare, too fragile, to be seen outside of their briny homes. That is until the Blaschkas.
I wish there was some way to request a moment of silence. I wish there was some way to ask you to stop reading this and look at the pictures here and at other places of the web. I wish there was some way for you to have a nice glass of wine, put on some nice music – maybe Bach, who also mixed science and art – and just admire the care, the craft, and the pure art the Blaschkas created.
Other Astonishing Amalgams of Science and Art
The Blaschka brothers left an inspirational legacy. Josiah McElheny – a recipient of a MacArthur Genius Grant – is a kindred spirit to the Blaschkas, another mind-blowing artist who works in the whimsical and temperamental medium of glass … and the disciplined domain of science.
McElheny’s works -- like that of the Blaschka brothers -- take inspiration from the universe around us, and there is no better example than the key moment seen below. In many ways this is a perfect place to stop: the Blaschka brothers created perfect artistic reproductions of nature to teach science, and McElheny created a sculptural interpretation of the ultimate act of creation, as discovered by science: the Big Bang.
Dale Chihuly also makes incredible glass sculptures, but these are more surreal than scientifically correct:
Physics Fusion With Art?
When physics get too complicated (or obscure) the whole exercise may start to resemble abstract art patterns:
Fabric Brain Art: This is Your Brain on Wool
Neuroscience and art mix beautifully at "The Museum of Scientifically Accurate Fabric Brain Art" - click here. Some examples are somewhat unnerving, and others are plainly tongue-in-cheek:
Fabric MRI - slices, slices everywhere:
Street art can be educational too: here is a lesson in anatomy and graffiti skill, seen somewhere in Russia:
The Dark Side of the Moon is Buried in the Wall - and Mystery... for Another 70 Years
Perhaps one the most striking examples of astronomy science visualisation is this humongous model of the Moon from 1908, almost a surreal doorway to another world, a snapshot of bizarre art/science history:
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